I got an email on July 9, 2018, and the subject was pretty interesting "photo shoot in ATL for HIV criminalization efforts for cover of TPAN?." I saw the email, but was so incredibly busy that Monday afternoon I didn't get to read it right away. Then, life got in the way, so I didn't actually read this email until July 11th. (Lesson, keep everything, even email reminders, on your task list. I haven't perfected this yet, but I am actively working on it.)Read More
For the men that were there, any mention of the space immediately takes them to a time and place where the dance floor provided refuge from the grim realities outside its walls. In its early incarnation, The Warehouse catered to a membership-only clientele made up primarily of Black gay men. The man who people came to see, DJ Frankie Knuckles, was the master conductor of many a legendary night. Knuckles once described the Warehouse as “a church for people who have fallen from grace.” Knuckles, a Black, gay native New Yorker, established himself as a tastemaker in Chicago. A pioneer who manually created extensions of rare groove records with a blade, he laid the foundation for an entirely new genre of music: House.Read More
Today, May 11, 2015 is the first day of the trial of Michael Johnson in St. Charles, Missouri. Mr. Johnson is alleged to have been knowingly HIV positive and having unprotected sex with partners who were unaware of his status either willfully or through omission. The case has sparked an intense debate about punitive HIV criminalization laws in the US, and how these laws contribute to the continuing stigma surrounding HIV.
September 25, 2015 also marks 25 years since the release of “Red Hot + Blue” - one of the most significant compilation albums of original music from pop stars of the era specifically to raise awareness and money for HIV/AIDS education and prevention for the Red Hot Organization.Read More